![]() ![]() “When My Train Pulls In” slithers along with a groovy backdrop and a dark undertone that creates one of the better blues atmospheres in modern day memory. Why is that? None of what makes Blak & Blu suffer comes from a lack of talent. Disappointment might be the most obvious word, though it’s also probably the most unfair. The glimpses of brilliance are there - the dude sure can shred when he wants to - but the collection as a whole is spotty and at times confusing, a classic case of the reputation roller-coaster reaching a dip in the tracks for which even the highest of peaks couldn’t properly apologize. He’s also somewhat pedestrian on this much-ballyhooed Warner Bros. If you haven’t been living under a rock for the last 24 months, and you pay even the slightest bit of attention to rock music and/or guitars, chances are you’ve at least run across his name, whether it be on a line-up card for one of the major music gatherings around the world, or in a “who’s next” feature that magazines and websites love to publish. He’s been called a prodigy and he’s been labeled blues music’s current-day savior. King to Dave Matthews to Sheryl Crow to Buddy Guy to Eric Clapton, to basically anyone else in between. And since he initially began performing at the age of 12, Clark has shared stages with everybody from Mick Jagger to B.B. His Bright Lights EP found its way onto countless best-of lists for 2011. He’s received acclaim from such heavyweights as Paul McCartney, Kirk Hammett and Roger Waters. The Austin, Texas-bred Clark has been tirelessly working the festival circuit all summer. Actually, it may also be the most talked-about major label debut since his recent pal, Alicia Keys, burst on the scene in 2001 with Songs In A Minor, save for the always-exaggerated hype that usually surrounds releases from the hip-hop world (here’s lookin’ at you, Drake). Gary Clark Jr.’s Blak & Blu might just be the single most anticipated rock release of 2012.
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